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Pingala Chandas Shastra Pdf 23 : comment apprendre les mètres sanskrits avec Pingala



The term Chandas (Sanskrit: छन्द/छन्दस् chandaḥ/chandas (singular), छन्दंस chandāṃsi (plural)) means "pleasing, alluring, lovely, delightful or charming", and is based on the root chad which means "esteemed to please, to seem good, feel pleasant and/or something that nourishes, gratifies or is celebrated".[9] The term also refers to "any metrical part of the Vedas or other composition".[9]




Pingala Chandas Shastra Pdf 23



The ancient Chandahsutra of Pingala, also called Pingala Sutras, is the oldest Sanskrit prosody text that has survived into the modern age, and it is dated to between 600 and 200 BCE.[15][16] Like all Sutras, the Pingala text is distilled information in the form of aphorisms, and these were widely commented on through the bhashya tradition of Hinduism. Of the various commentaries, those widely studied are the three 6th century texts - Jayadevacchandas, Janashrayi-Chhandovichiti and Ratnamanjusha,[17] the 10th century commentary by Karnataka prosody scholar Halayudha, who also authored the grammatical Shastrakavya and Kavirahasya (literally, The Poet's Secret).[15] Other important historical commentaries include those by the 11th-century Yadavaprakasha and 12th-century Bhaskaracharya, as well as Jayakriti's Chandonushasana, and Chandomanjari by Gangadasa.[15][17]


Beyond these seven metres, ancient and medieval era Sanskrit scholars developed numerous other syllable-based metres (Akshara-chandas). Examples include Atijagati (13x4, in 16 varieties), Shakvari (14x4, in 20 varieties), Atishakvari (15x4, in 18 varieties), Ashti (16x4, in 12 varieties), Atyashti (17x4, in 17 varieties), Dhriti (18x4, in 17 varieties), Atidhriti (19x4, in 13 varieties), Kriti (20x4, in 4 varieties) and so on.[56][57]


In addition to the syllable-based metres, Hindu scholars in their prosody studies, developed Gana-chandas or Gana-vritta, that is metres based on mātrās (morae, instants).[58][57][59] The metric foot in these are designed from laghu (short) morae or their equivalents. Sixteen classes of these instants-based metres are enumerated in Sanskrit prosody, each class has sixteen sub-species. Examples include Arya, Udgiti, Upagiti, Giti and Aryagiti.[60] This style of composition is less common than syllable-based metric texts, but found in important texts of Hindu philosophy, drama, lyrical works and Prakrit poetry.[14][61] The entire Samkhyakarika text of the Samkhya school of Hindu philosophy is composed in Arya metre, as are many chapters in the mathematical treatises of Aryabhata, and some texts of Kalidasa.[60][62]


Indian scholars also developed a hybrid class of Sanskrit metres, which combined features of the syllable-based metres and morae-based metres.[63][57] These were called Matra-chandas. Examples of this group of metres include Vaitaliya, Matrasamaka and Gityarya.[64] The Hindu texts Kirātārjunīya and Naishadha Charita, for instance, feature complete cantos that are entirely crafted in the Vaitaliya metre.[63][65]


Chandoratnakara: The 11th-century bhashya on Pingala's Chandah Sutra by Ratnakarashanti, called Chandoratnakara, added new ideas to Prakrit poetry, and this was influential to prosody in Nepal, and to the Buddhist prosody culture in Tibet where the field was also known as chandas or sdeb sbyor.[43]


But, do you know that this is the gift of ancient Indian mathematics to the world of technology. Ancient Indian prosodist and mathematician Pingala was the first to develop and use the binary number system while studying and analysing Sanskrit poetic meters (chandah / छन्द:) in his work Chandahshastra composed around 3rd century BCE.


Natyashastra (नट्यशस्त्र, nāṭyaśāstra) refers to both the ancient Indian tradition (śāstra) of performing arts, (nāṭya, e.g., theatrics, drama, dance, music), as well as the name of a Sanskrit work dealing with these subjects. It also teaches the rules for composing dramatic plays (nataka) and poetic works (kavya).


Shilpashastra (शल्पशस्त्र, śilpaśāstra) represents the ancient Indian science (shastra) of creative arts (shilpa) such as sculpture, iconography and painting. Closely related to Vastushastra (architecture), they often share the same literature.


Chandas (छन्दस्) refers to Sanskrit prosody and represents one of the six Vedangas (auxiliary disciplines belonging to the study of the Vedas). The science of prosody (chandas-shastra) focusses on the study of the poetic meters such as the commonly known twenty-six metres mentioned by Pingalas.


Dharmashastra (धर्मशस्त्र, dharmaśāstra) contains the instructions (shastra) regarding religious conduct of livelihood (dharma), ceremonies, jurisprudence (study of law) and more. It is categorized as smriti, an important and authoritative selection of books dealing with the Hindu lifestyle.


Ganitashastra (शल्पशस्त्र, gaṇitaśāstra) refers to the ancient Indian science of mathematics, algebra, number theory, arithmetic, etc. Closely allied with astronomy, both were commonly taught and studied in universities, even since the 1st millennium BCE. Ganita-shastra also includes ritualistic math-books such as the Shulba-sutras.


Starts with (+34): Pimgalanadi, Pimgalayana, Pingala Buddharakkhita, Pingalabhavoddyota, Pingalabhru, Pingalacarya, Pingalacchandahsutra, Pingalacchandas, Pingalacchandovritti, Pingalacchandovrittivyakhya, Pingalachandahsutra, Pingalachandasara, Pingalachhandasara, Pingalagandhara, Pingalagita, Pingalajya, Pingalaka, Pingalakanva, Pingalakoccha, Pingalaksha.


Ends with (+7): Abhipingala, Anantapingala, Apingala, Babhrupingala, Dandapingala, Diptapingala, Ekapingala, Gandhapingala, Haripingala, Hemapingala, Ishatpingala, Kalapingala, Kanakapingala, Kapingala, Keshapingala, Krishnapingala, Madhupingala, Mahapingala, Manapingala, Nilapingala.


Full-text (+424): Paingala, Krishnapingala, Diptapingala, Paingalayana, Pingalika, Bhujamgesha, Sushumna, Paingalayani, Pingalatantra, Pingalamata, Pingalasutra, Chandahsutra, Paingalya, Shvetapingala, Chandasshastra, Ekapingala, Pangulakida, Bhogada, Makkhika, Pingalacchandahsutra. 2ff7e9595c


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